The Dubai Diaries

 "I love cities I've never been to and people I've never met before."

- Anonymous

Dubai, United Arab Emirates.

It's a place that embodies multiculturism (are you listening canada?) and reinforces heterogenity and celebrates difference. It's architecture is perfect, sleek and modern (Ayn Rand would have loved the buildings without all the 'frou frou'.) It's very non-middle eastern, no random camels and no hot sun with desert under your feet and other GMS (Great-middle eastern-stereotypes).

I tried finding out the history of Dubai, because I love to know what existed before and to my disappointment there was not much I could find. A few pretty mosques here and there. No great historical battlefields, no monuments, no pre-1990 stuff. 

These pictures are so beautiful, and it's pathetic that they belong to a 21st century mall.

   An afghani making a traditional carpet with his hands! It's the most painstaking task ever with so many details and the end product is not worth the cheap manual labour. It's a dying art of handmade carpets but my semi-marxist self wouldn't allow it to continue.

 

 Burj Khalifa 

 Jumeirah Beach

 A view from the top, buildings, buildings and then some more buildings

 Desert Safari - Too bad I didn't take a picture of the belly dancers

Feminist Perspective- The Batman Trilogy

Christopher Nolan Fans- BEWARE!

You may not like what follows. It's not my business to please you.

This is a feminist critique of superhero films that stereotype female characters terribly. Understand? Terribly. Nolan's track record (Inception, Batman Trilogy etc.) almost always is a commercial success but if you dig deeper, like I always do (and this, regrettably) you will find badly sketched female characters. Wait not even sketched. Just doodle. His team of writers have just made doodles of Catwoman, Rachel and Talia.

Now I hear you frantic movie-goers going 'aaah just watch the movie for what it is. don't read between the lines'. I cannot. I have to read what's between the lines. Because what's between them is a representation of how society views women. And then how these writers doodle them on a piece of paper. and then the piece of paper gets a screenplay and becomes a movie. and then that movie is watched by millions, reinforcing patriarchal norms. And it's drilled into their subconscious. Drilled. That's what I wouldn't want- to consciously remain in my subconscious. I want to write the thoughts that are ignored.

In all 3 Nolan movies- Batman Begins, The Dark Knight, and The Dark Knight Rises-

(1) Women have been fridged. They suffer from "Women in Refrigerator syndrome". Meaning, a woman needs to be cut, killed, kidnapped, tortured, raped in order to give angst to the hero to fulfill his 'destiny'. So the woman in herself does not represent a purpose. She needs to be used/sacrificed by the comic book writers in order to give depth, revenge, angst to the superhero. Now if a woman is giving up her life for a cause she beleives in - then it's not the refrigerator syndrome- there is still a purpose for herself there, she is independant and able enough to occupy herself in life besides her love interest. But if acts of violence are carried out against a woman - then it's typically refrigerator syndrome.

FOR EXAMPLE-

Rachel Dawes is killed by the 'Joker' in the dark knight - so Nolan essentially creates a character, develops a relationship between her and Batman- only to? you guessed it- get her killed by a maniac.

Read more about "Women in Refrigerator Syndrome" at- http://en.wikipedia.org/wiki/Women_in_Refrigerators

She is also a perpetual damsel in distress. In Batman begins, she is rescued (ugh) by batman three times from Doctor Crane/Scarecrow... and about damsel in distress - It originated in ancient times in France's folkore, Britain's literature and Arabian Nights also had its beauty half naked chained somewhere- her "modesty" in danger. It's not related to morality. In any which way. It's related to how people, men and women alike, have a fetish. To see something"weaker" than them (esp the hairier gender) in distress. It establishes a power struggle. I really want to get into Foucalt here, but I cannot. Too many tangents.

(2) Catwoman-

Before we move to the movie potrayal by Anne Hathaway- I was intrigued by why a woman was modelled entirely on a cat. I wanted to understand the thinking of the man who created her. Her character predates wonderwoman's- so she was made in 1930/40's - and I wanted a logical explanation by that guy called Bob Kane (who also happened to create Batman).

But wanting an explanation was probably the worst thing, because I found out the rubbish behind why Catwoman was who she is.

According to Bob Kane,

 "I felt that women were feline creatures and men were more like dogs. While dogs are faithful and friendly, cats are cool, detached, and unreliable. I felt much warmer with dogs around me—cats are as hard to understand as women are. Men feel more sure of themselves with a male friend than a woman. You always need to keep women at arm's length. We don't want anyone taking over our souls, and women have a habit of doing that. So there's a love-resentment thing with women. I guess women will feel that I'm being chauvinistic to speak this way, but I do feel that I've had better relationships with male friends than women. With women, once the romance is over, somehow they never remain my friends."

Excuse me Bob? As a woman can I risk my passivity and ask you why you think men are like dogs and women are like cats? Also notice how he assigns all the "positive" traits (loyalty, friendliness etc) to men/dogs and other "negative" traits (detached, unreliable etc) to women/cats. Personally it's not only bashing he'll get from feminists like me, but also cat-lovers. Because frankly, you are not only stereotyping women here but also cats.

Now, coming to Nolan's Catwoman. Issues I have : Objectification, first. Defending herself in 6 inch heels, second. The poster below, third.

Why, even as a super villain, does a women have to objectified first? (See angle of standing, ass, chest etc).

Does the "male gaze theory in cinema studies" establish something? Yes it does. 

Male gaze theory-

"The Male Gaze is a Feminist theory that was first developed by Laura Mulvey in 1975. The male gaze occurs when the audience, or viewer, is put into the perspective of a heterosexual male. Mulvey stressed that the dominant male gaze in mainstream Hollywood films reflects and satisfies the male unconscious: most filmmakers are male, thus the voyeuristic gaze of the camera is male; male characters in the film’s narratives make women the objects of their gaze; and inevitably, the spectator’s gaze reflects the voyeuristic male gazes of the camera and the male actors."

So my point is, if a woman can be subjected to male gaze, let's find a solution. A solution that reeks of equality. Lets subject the hero to something similar-

Haha, I think my point is pretty obvious. 

(3) Observations-

Most of the film credits have females such as gordon's daughter named as "Gordon's daughter" [not important enough to have a name] whereas gordon's son is named as "Jonathan" [important enough to have a name]. 

There are no fat women, there are no female cops and there are no black women (except one).

There is a scene where literally all male cops are fighting against bain's organization, and I am just staring because for 10 minutes there is not a single female in the frame, not a single woman cop. Despite the fact that women represent more than half the population in real life.

My semester project in Political Theory was on "The Feminist Perspective of Nolan's Batman Trilogy" at Lady Shri Ram College, University of Delhi. I wouldn't have been able to write any of this if it wasn't for those excellent lectures by KM and SK. I had watched the movie in July a few days before college started. While watching the movie, I felt an uneasyness I was not able to articulate. Several months later, making this project I identified and articulated what it was. I could not have articulated any of this had I not been in LSR. As cliched as it sounds, there is a magic to LSR. I was warned by many people before joining LSR that in a "same gender environment" it's difficult to get "different perspectives". Had I been in any other college, I wouldn't have been able to see myself as a feminist. I am and will always be a feminist. And the credit goes to LSR for that.

Defending Post-Modernism

Discussion on - Postmodernism

A dialogue between me and my friends. Me and tanya are not post-modernists, we are no "ists"- we cannot stand generalisations like that.. We happen to defend it and hope that misconceptions about political theories decrease.

Modernism from the post-enlightment period has glorified rationality, scientific advancements, logic, facts, objective truths etc. Post-modernism challenges the credulity of modernism, and that's why my friend Amartya thinks that it's some primitive-loving low life theory.

Here are the extracts of our discussion : (Don't be Grammar police, I've copy pasted the conversation over from facebook) -

Sameera Shahid Rao -

Alan Sokal, a critic of postmodernism - read what he did to undermine postmodern cultural studies -

Link - http://en.wikipedia.org/wiki/Sokal_affair

Amartya Sharan-

Haha it's epic.

Link- http://www.elsewhere.org/pomo/

Abhinaswar Das-

Off topic: Did any of you guys apply for the Mock Parliament at Hindu next January?

Amartya Sharan-

 I will, soon. Or has the date passed?

Abinaswar Das-

 Don't know mate. They're being a little weird.

Amartya Sharan-

It hasn't, thankfully.

Abinaswar Das-

 Dude, they're taking registration fees from Additional Directors, saying they'll be competing amongst themselves. DAFUQ?

Amartya Sharan-

Haha, htf does that even make sense? : p I don't know too much about the event man, I'll talk to some Symposium guy before I apply ..

Tanya Kak-

(Referring to the links)

imteresting. but the part about post modernity and deconstructuction as one of the most important methods they deploy, makes sense to a great extent. post modernism refuting the objective "Truth " behind subjective experiments, advocating how reality is elusive and hence transient and the linearity of things and finally using deconstruction as a means to unearth the socially constructed norms started making sense to me after today. so actually i might have a lot to say about the "sokal hoax "

Amartya Sharan-

 I challenge you to disprove that gravity is real by surviving a jump off my roof. : p

Abinaswar Das-

^Abetment of suicide, my friend.

Tanya Kak-

 amartyaa, you understand what really happens in deconstruction, it's actually about tracing the genealogy of concepts and then agreeing or disagreeing on the same.so taking this article and the laws of quantum physics into consideration, we'd actually have no objective truth because what you know is true only in the space or area you live in. hence different standpoints of the same so called "reality " and a very good example would be the debate around heliocentricity .  which can be debated on the same lines as the question you asked

Amartya Sharan-

Okay, Read this. 

Link- http://free--expression.blogspot.in/2007/10/john-searle-on-derrida.html

Tanya Kak- 

reading. also this is not to say i'm a post-modernist (firstly even post modernists would hate to be generalised like that ) but some of their methods, do make sense.

Sameera Shahid Rao-

Amartya. Fragments. Micro-narratives are so much more real in todays political context esp keeping in mind the failures of 'modernity' and 'enlightment'. Another valid point of post-modernism is its relativity as opposed to absolute truth claims like "the church knows what is right/wrong. Liberal democracy is best for countries" and so on.

Also the link says how there was no peer review of the hoax.

Deconstruction. Amartya jumping off a roof vaala bit... See. Postmodernism need not disprove anything. It shows alternatives to what we think exists. For example, suppose you were the son of jew-hating parents in nazi germany while the gestapo was winding n loading them in trucks, and killing them which was totally legit with the gov then. So would u fight against it? Would there be only one truth you'd see back in 1930s germany? Postmodernism hopefully tries (as i understand it) to explain the relativity of truth claims, morality, faith etc.

Amartya sharan-

What you're describing is not Postmodernism at all. That is simple disagreement. The characteristic idea of postmodern thought is that there is no 'real' right or wrong, no 'real' best form of government, no 'real' killing of Jews or anything of the sort. That's what I have a problem with. The basic foundations of a useful argument, facts and logic, don't matter within the postmodern discourse, because everything, including the real world, is just a freeplay of signifiers.

Also, I'm not saying that I disagree with everything dubbed as a 'post-modern' idea. I agree that all knowledge exists within language, and that language contains many essentializing social constructs, like sane/insane, or man/woman, which often reflect the power structure of the society we live in. But that doesn't mean that there is no objective truth at all. Because that would mean that there is no truth in the statement 'There is no objective truth', making it a fallacy of the type 'this statement is false'.

Sameera Shahid Rao-

 Absolutely no.

I thought u believed in friedrich nietzsche . Hes said to be the 1st post modern thinker. ( see "antichrist" "will to power").

Youve fallen in a trap. There is no definition of postmodernism per se. And disagreement. I disagree with that. Its not about disagreement at all. And they dont refute reality. They refute the white mans notion of a scientifically advanced modern world. 

Nietsche was the first post-modernist because he refused to agree with the so called objective claims of modernism, society n church.

Facts and logic dont matter? No. I think the overimportance that modernists place on stats, fact etc. Is what doesnt matter.... If modernism in the 19th ce n 20th ce cherished on these scientific advancements, the atomic bombs - everthing that cud be "controlled" and cud produce "desired effects" tht is what postmodernists refute... i may not be able to explain it as well as my pol theory teacher. But foucault is the best example. He started out by labelling, defining, characterising things- only to change n understand that reality could mean many things at different points in time. For example the debate with heteronormativity. 

Tanya Kak-

 i think amartya your blanket assumption is the fact that when they say thereis no 'real truth', they're simply undertaking the task of dismissing things around. however that's not true. they actually.say there is just not that one truth you talk about but many. and Derrida himself talked about the 'difference' if you remember. and therefore that's what they mean by real. because that 'real' is subject to constant changes.

Amartya sharan-

First of all, I don't 'believe in' any thing, ism, or one. Second, the white man's notion of scientifically advanced modern world, is one that believes in the existence of objective truth that can be discovered through science, reason, observation and logic, so to herald a 'post-modern' era is to undermine all of those things, which post-modernists often do. Third, the fact that post-modernists believe that arguments can proceed from things 'other' than logic and facts, and that those 'other' things are more important than logic and facts, is exactly what I have a problem with. The notion that we would be better off in a world without science and technological advancements IS my problem.

Sameera Shahid Rao-

 "Second, the white man's notion of scientifically advanced modern world, is one that believes in the existence of objective truth that can be discovered through science, reason, observation and logic, so to herald a 'post-modern' era is to undermine all of those things, which post-modernists often do."

 ^ That my friend is the biggest assumption - that post modernism would 'undermine' logic/scientific advancements. See the movie Ive posted on your wall.

"The notion that we would be better off in a world without science and technological advancements IS my problem." How can you say that? How? How? How? theyre not saying give up your atm machine, internet connection for a a little hut in a jungle. NO. THATS advocating a primitive way of living. Thats not what postmodernism is about.

Tanya Kak-

^seconded. COMPLETELY. also, as pointed out earlier, facts and logic is definiteely not their problem. what they try to look for ,in my opinion is, how ephemeral those reasons and facts are. constantly changing. and uf still you wanna say they're against something, then it is the centrality and the linearity of things.

Uday Vir Anand-

Balls, ladies and gentlemen. Thats what it's all about, balls.

Amartya Sharan-

 Alright, let us go back to where this started off. What is the Sokal affair about? The fact that postmodern thought also addresses the modern sciences, and argues that science cannot capture the 'real' and that we cannot reach objective truth through the sciences. They believe that primitive cosmologies are just as accurate. Postmodernism also rejects the notion that the modern world we live in is an 'improvement' on other forms of social organisation. It follows that for them, a primitive society is just as efficient at delivering social goods. And I don't agree with that.

So well, Tanya, are the facts posited by Physics and Mathematics 'ephemeral'? Will 1 and 1 someday make 6?

Suvij Sudershan-

 They already do.

"Inner peace" 

- Po ( Kung Fu Panda)

Amartya Sharan-  That's a movie .. but my postmodern friends will reply - "Reality is a kind of film".

Sameera Sahid Rao-

"They believe that primitive cosmologies are just as accurate." Not true. Postmodernism does not believe in the accuracy of primitive cosmologies. but for the sake of discussion , tell me, Primitive cosmologies like? Post modernism literature like The God of Small Things, or Rushdie's Midnight's Children or Marquez's 100 years of solitude- what primitive notions do these profess according to you? None that I would call primitive. Unless I am stupid enough to think that imagination, micro-stories, questioning reality is inferior to facts, logic and hardcore truths. "Postmodernism also rejects the notion that the modern world we live in is an 'improvement' on other forms of social organisation." - So moving along your line of argument, lets assume the notion that the modern world is indeed an improvement on other forms of social organisation- holds true. Now if no "ism" rejects it aren't you claiming it's an absolute truth? why should I consider that notion as an absolute truth? and not reject it? Please Explain. And if that movie (Kung fu Panda) or any other form of art- say poetry- is trying to depict reality as what "a" particular individual sees it, what is wrong with that? [although nobody, postmodernist or not, in their right mind would say reality is a kind of a film. they would say reality is what is perceived at that time and space by that particular individual and how he/she expresses it with art, movie, poetry etc.]

Amartya Sharan-

Modern science views things as discrete objects. For example, a forest consists of trees and other flora, animals, birds and other fauna. But for a tribal inhabiting that forest, it may for example consist of holy spirits of ancestors, he may see in it the sleeping ghosts of dead people which are not to be disturbed and so on. So for a post-modernist, these are just the 'many different truths' about the forest, and there is no absolute truth about it. And concerning improvement, well, you would here concede, that there e x i s t s an improvement of our current form of social organisation. What it consists of is what signifies. You are welcome to reject that, and that would in no way undermine modernism - after all, modernism too was a critique of traditional forms of social organisation. And in order to prove that such a form of social organization exists, you would have to rely on either logical deduction or empirical fact. In no way does that undermine modernism. A post-modernist, however, would deny that such an objectively 'improved' form of social organisation even exists. Finally, well, Derrida did claim that 'Il n'y a pas hors-texte', i.e that there is nothing outside the text, and that all of the 'oppositions' that this world-text contained are capable of deconstruction, including that between reality and fiction. Do read John Searle's monograph on him, which I have posted above.

I'm gutted that you folks are into this debate, btw : ) There's another excellent though slightly advanced piece that I suggest you read

Link- http://www.voxmentis.com/2011/01/on-nature-of-reality-dialogue-between.html

Finally, I draw from this conversation the following pointers-

A. Nobody can explain post-modernism.

B. It is the stage after modernism.

C. It is about- micro-narratives, fragments and deconstruction. The micro in society determines the macro.

D. What do we conclude? Nobody can change another person's opinions because they are just that. Opinions. Solution? How about we not give a F. 

History and Marxism

"How is it possible to feel nostalgia for a world I never knew?"

This has become my all time favorite quote. I remember the first time I noticed it. Watching 'Motorcycle Diaries' in spanish with english subtitles, around 3 am in the night almost a week before my History exam.

Now, this was around 2 years ago, in class 11th, when I was seventeen (ha) and I still managed to get a 91/100 ... because the movie was a repetition of history itself (onscreen) and I have a strange way of linking two things together which seem to have no correlation whatsoever.  

Ernesto che Guevara reaches Machu Pichhu and looks at the beautiful ruins of the great Incas civilization.

Standing and witnessing the beauty he sees around him, he wonders aloud- 'how can I feel nostalgia for a world I never knew?' The world he is referring to is the lost days of the Incas people (12th-13th CE) who lived in the Antilles, Barbados, Mexico, Parts of present South America & who were killed by the thousands by the spaniards and europeans who eventually won the 'survival of the fittest' in their long-term aim to settle there (in S. America). And of course, 'nostalgia' refers to a sentimental longing for the past. Now, why the hell did he feel nostalgia for them?

Explanation- A majority of the people were killed, and their ancestors (Incas) are now a minority population in south america, the true inhabitors of the region are subdued by the overwhelming european-american-mixed population residing there as locals. When 'Che' took his road trip around many countries during the 1950's he becomes extremely averse to 'Capitalism', correctly citing it as the reason behind poverty and misery of the poor people (why I agree with this viewpoint will need another entire blogpost)... What he saw around him was very similar to the south-american history- the real people of their own country lived as petty laborers doing odd-jobs to ensure a meal a day whereas the capitalists lived on these souls. He wanted to go back to the days where things were still being done in the world on the basis of justice, fairness and equality. He was feeling nostalgia for that world... a world that he never knew, because it had ceased to exist.

It is rather important to note that the Incas people where highly intelligent. They could successfully perform skull surgery, built beautiful monuments, where brilliant at mathematics and astronomy. So, why exactly did they perish? Because they were behind their spanish counterparts who knew of military tactics and gunpowder and of course, smallpox.

I have, until now been against the use of violence and killing. But my perspective is changing after reading through about Ernesto's biography. He was a marxist revolutionary. Who wanted an equal economic world order, even if this required him to take up arms. He was also involved with Fidel Castro (Cuba's President) during the cuban missile crisis- which eventually led to his death by the CIA- which was covered up for many years. He was not like Castro (by which I mean, not hungry for power), although he enjoyed political support from many countries. He believed in an ideal. An ideal world, one where capitalists where not superior to other citizens but equal.

Marxism is a dialectical view of social change, and an analysis-critique of the development of capitalism. It is an economic and socio-political worldview centred upon materialistic intrepretation of history. I have never accepted or rejected a theory whenever I've discussed it in conversations with friends and family. I do not have a grey- approach. It is more black and white (although that does have its repercussions)- If it is true for me, it is true for everyone and vice versa. So far, in debates in classrooms, in discussions with liberal capitalist friends and even with that one friend who is the socialist- I find the answers are fluid, flexible. That sometimes things are answered depending on the situation. Therefore, I have developed a coping mechanism which does not learn or look at the present or future. But rather looks at the past. The beauty and brutality of the past is the real reminder of the truth (Incas civilization for instance).

I think nothing is inexplicable. Everything can be explained. Like a process. Like maths. Like statistics. Like bar diagrams. Like language and grammar. And therein lies history, because it has lessons to offer (although it is advisable to read history for its own sake!). Right now I am reading A History of the Soviet Union from the beginning to the end by Peter Kenez. True it may not teach me how to build a car, or aerodynamic laws or human anthropology, I will go ahead and read it because I may have a chance of understanding why communism failed (although I may know this already) and also because I understand the question-

 'how is it possible to feel nostalgia for a world i never knew?'

a clip from Motorcycle diaries, 2004 academy award winning movie-

And one of the seven wonders of the world- The Incan civilization's Machu Pichhu, Peru -

The Writer's Fork- Name and Purpose

Name-

In palmistry, a drooping Head line combined with a medium sized fork on the ending is the "writers fork", indication of literary talent. I am not a firm believer in the science of palmistry. However, I have a writer's fork in both hands. On a school day, in 2010 my england return friend, told me of its presence.

Purpose-

This blog is not defined into any one category of blogs.

On a random internet search I read about the little things that touched people and who wrote about them (read-an overly enthusiastic girl's passion for beauty and architecture, who i will not name).

In some way I was inspired to start mine. This is a sincere attempt to appreciate life, 'beauty', 'art', 'travelling' 'books' 'movies' and 'theories'.